Not ranked, and in no particular order...
I AM THE WALRUS (OASIS)
Now, I know it's redundant to say the Oasis covered a Beatles tune, because of their often strikingly similar musical styles, but this is a fantastically rocking cover of this tune. It was recorded live at a Sony music party, and each of the bandmembers were about two bottles of Jack in, which is evident towards the end when things sort of fall apart, but it does rock...maybe because of all of those factors.
HELP (NOEL GALLAGHER)
Noel is the leader of the band Oasis and he ocassionally plays this song in his acoustic set. It's slow and haunting, especially in the chorus where instead of going up the octave on "...Please, please help me...", he leaves it down where it started, which makes it sound all the more tragic. I have often borrowed his version of this song for my own...sorry Noel.
I WILL SURVIVE (CAKE)
I know that a lot of people are probably going to use this one, but it's still pretty kick-ass...especially since it takes you until the chorus nto realize what song they're really singing...and when you do, it rocks.
TOTAL ECLIPSE OF THE HEART (90'S REMAKE, DON'T KNOW WHO BY)
I am not old enough to have known the first depressing version, and the dancier upbeat version came out in my freshman year of high school...we rocked-out to it at just about every dance. Good times...
BACK FOR GOOD (ROBBIE WILLIAMS)
Now, Robbie was actually a member of the brit-pop super boy-band, Take That, whom originally released the song. But Robbie broke away and made his own success (The ORIGINAL Justin Timberlake), and he ocasionally breaks into this song, much to the delight of his screaming legions of fans. He starts out all slow and sweet, and the girls melt, but then when he gets to the chorus he goes into hyperdrive and amps it up to a super hard-rock version. He then goes back to the sweet version in the verse. By the time the audience recovers from the chorus, they are already on the floor. Yum.
LETS GET IT ON (JACK BLACK)
There is nothing sexier than a man with talent...for example, out of nowhere at the end of the movie High Fidelity, Jack Black slowly gets incredibly hot in a strange way during the course of his singing of this song. So fabluous!
SMOOTH CRIMINAL (ALIEN ANT FARM)
For MONTHS, and MONTHS, that driving baseline of the verse was humming silently through my head at all times. Besides the fact that the video rocked, featuring many poignent tributes to the
fantastic years of MJ. Interesting take that didn't need any improvement, but they found the other side to the song.
SOMEWHERE OVER THE RAINBOW/ WHAT A WONDERFUL WORLD (ISREAL KAMAWIWO'OLE)
This sweet and lilting version of a medley of these two beloved songs is sung by what one can only assume due to the tenderness of his voice is an inherently gentle man, one feels transported away to a quite time with one's thoughts. I know that makes no sense, but this song just makes me so happy.
WHITER SHADE OF PALE (ANNIE LENNOX)
Her voice is so haunting and wise. I like the reworking of the arrangement and the ethereal quality she injects it with.
ITSY BITSY SPIDER (LILY AYOLA)
There is, so far, only one known recording of this remarkable piece of music and performance art. Her parents hold the only copy, but, luckily, they don't horde it's genius; you can visit
Lily's Blog and scroll to the the post concerning said song, and experience the joy of viewing what I am sure will agree, is utter perfection of musical ability.
Other music list bloggers this month:
Alien FurBitchaliciousBrooks BlogChapati MysteryChele BlogThe Dune ShackI See MonstersReality RemixedSheets & BlanketsShoulda SaidWrite On Megs